Author Archives: thetomewriter

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About thetomewriter

I am a happily married father of five and professional IT consultant who has been dreaming of writing a fantasy book series since sometime around high school. During the course of 2010, all of my past ideas and false-starts came together into a single broad outline for a series loosely based on the role playing games and characters my best friends and I played with as kids, mixed with a series of underlying themes from biblical Christianity (a la C.S. Lewis or Tolkien, two of my favorites). At the six month point of writing, I decided to start a blog to track the process and begin to bring in early readers.

The Land of Greystone

Those of you that know me are familiar with the truth that I am no artist. BUT… a fantasy story is a non-starter without a map. One of the first things I did over a year ago was sketch a map of the known Land of Greystone to begin framing the story’s locations. Back in January I made a much more detailed, fancy version. Last week, I broke out the crayolas and scratched out the “final” map below. It’s not overly neat and is overly cluttered, but it gets the job done for now!

The five duchies that make up the Greystone Protectorates are color coded: Silver – Brandon Duchy, Yellow – Palladon Duchy, Red – Jesserin Duchy, Magenta – Stantin Duchy, and Green – Jall Duchy. The Greystone City District is rimmed in blue.

The Land of Greystone

Planning to post Chapter 1 tomorrow!

~Kevin

The Kobayashi Maru

Yes, addition by division is definitely the way to go. I am proceeding with the plan to divide The First Proving into a trilogy: Emergence, Knights and Watchers, and The First Proving. The neatest part of this decision is its James Kirk-like appeal; when it’s taking you forever to complete your first book, just change the rules and decide that you finished the blasted thing WEEKS ago! I don’t believe in the no-book scenario! (Non-trekkies, google “Kobayashi Maru” and you’ll get it).

So I did some heavy editing in order to make Emergence a standalone book that begged the reader to continue onto the next entry. I pulled in some text from what will now be Knights and Watchers and stuck it into the final chapters of Emergence. I did NOT make any changes to the glossary (did I mention the extensive glossary before? Sure hope so…), which means that there are likely people and places listed in it that don’t show up at all in Emergence. Oh well.

I have been struggling a bit with the one-word title, though. I played around with a few other potential titles for book 1, but nothing else grabbed me. All of the other planned books have multi-word titles, but I have decided to perhaps let it go.

Once I was satisfied, I shipped the 300 page Word doc off to FedEx-Kinkos and had them print out a bound editing copy which is now sitting here on the kitchen counter. I am freakishly happy about it. But now the hard parts; proofreading, then letting people read it!

Oh, and I have begun sending out query letters to literary agents just to see if any of them bite.  To support these queries I have written a synopsis for The First Proving trilogy and the entire rest of the story arc. I managed to get it into about 3 pages. What’s killing me is that it contains ALL of the spoilers! I really hate having to give away all of my plot twists (there are lots of them). I guess I should get used to that though.

It is SO nice to not be overly concerned about the agent and publisher part, but let me tell you, I will be psyched if any of them even ask to read the full manuscript! Of course, if they do I am going to have to race to get the blasted thing proofread, huh. Luckily they all advertise that they send out their rejection letters… I mean responses… within about 4 weeks. So no real rush there, huh.

I think that I will post Chapter 1 (Pithwood) here in the blog just to get it out there and get feedback. It’s not one of my favorite chapters, but it gets the action started pretty well while introducing the first two characters – Argand and Kosin.

Stay tuned!

~Kevin

Addition by Division

I suppose I would have done a little more research into trying to get published before yesterday if I REALLY thought that my writing was good. But I am attributing my lack of publishing research to the fact that I am not going to be bothered at all if this entire project remains my own personal collection of stories that no one else ever reads. I am not doing this to make money or be famous, which rocks, because I can relax and just write all of the insanely fantasy-centric stuff that is in my head.

But that being said… what I did read while scanning the internet these past few nights has given me pause. For a litany of reasons, most fantasy publishers and agents seem to be looking for stories that are between 90k and 120k in length. A book this size would typically be about 400 pages in hardcover. I read an excellent post by a literary agent specializing in fantasy about the economics of word count. Fascinating stuff. It involved the limited space on bookstore shelves, the cost of printing books that are physically thick versus thin, the ease of marketing series over standalone works, and about thirty other factors. I later came across another agent search website that said something to the effect of “if you happen to have created a moonglop-monster of a book that is longer than 140k words, whatever you do, don’t state that fact in your agent query letter!” And I have seen quotes from some of my favorite current authors thanking their publishers for taking “the risk” of publishing their 300k word epics.

Well. Talk about news to get you thinking! My book, “The First Proving”, is between halfway and 2/3 completed as far as the plot is concerned. And it is about 160k words. Ummm… Yikes! As a first time writer, I think that maybe I should re-think my approach. Because even though I don’t mind if I am never published, I certainly think it would be fun.

So I am currently investigating addition by division. Keeping the story the same, but chopping up what I have written into an already-completed first book (part one of The First Proving, working title, “Emergence”), and arranging the rest that I have and am going to write later into two other, small books. Making this first book into a trilogy of shorter books, in other words.

This is crazy exciting. Why? Because I have been just tickled to death for the past six months about the idea of finishing my first book ever. Because I have wanted to write a book since I was a little kid, and never ever managed to follow through on one each time I came up with an idea and got started. And because if I do what I described above, then I have ALREADY finished my first book… like, a month and a half ago. Not this coming fall or winter like I was expecting.

THAT is exciting!

I am going to discuss this with the Genius Wife for a few days, and send some emails out to a few of the powers-that-be out there who might be able to give me some advice. But I think that this might be the right way to go for a first time writer like myself.

Stay tuned!

~Kevin

Heroes… Lots of Heroes…

I am hoping that the key to having way too many important characters is simply not worrying about it too much, and instead letting different characters be in the “main” role at different points in time. I know that it has been pulled off successfully in other books, where there is a big group of central characters that travels around together on some quest or adventure, and over time one gets to know their individual personas because different events tend to focus on different aspects of each character. Sure hoping that works with this book. I want the reader to slowly get to know these people, to understand what makes each one of them tick, to see how their disparate backgrounds have shaped them each and informs the decisions they make in the present story.

Now that I have publicly fretted about the number of people featured in the story, you should probably know the identities of the rest of the nearly-main characters. There is a group of 7 young women that are critical to the plot, all 20 Summers old, from widely varying backgrounds and locations.

Nirran Ardorex (pronounced NEAR-en ARR-door-ecks) is good friends with Sica (pronounced SEEK-uh) Woodrand. They both grew up in and around Jesserin Duchy, and both took apprentice positions with the Jesserin City local patrol at age 18 Summers. They both had skills very well suited for police and security work; Nirran is an excellent acrobat and archer, and the very tall Sica is a skilled spear fighter and tactician/commander.

The Princess Darian Greystone has grown up with a number of close friends in the vicinity of the enormous Greystone Castle, in the busy center of Greystone City. Among them are the twin sisters Jerine and Jeressa (pronounced jer-REEN and jer-RESSA) Masterson, daughters of the First Monitor (man in charge) of the Erinor College (the network of schools throughout the Protectorates). As such, Jerine and Jeressa have both been raised to be scholars, but both have also found that they excelled at riding, at archery, and at swordplay. Darian herself is the Crown Princess of the Greystone Protectorates since she is the only heir to the throne of her mother, Lorillin, the Queen of Greystone. Darian has lived a protected life until just recently, when she was given some freedom to begin experimenting with her remarkable abilities as a sword fighter and a field general.

One of the most traditionally revered cultural artifacts in the free countries of the known Land is the honor and position granted to Bards. The Priory of Bards, as the all-female organization is officially known, is charged with the memorization and performance of the old tales from Greystone’s misty, unwritten past. As such, they have traditionally served as unofficial historians as well as lauded entertainers, even though in recent times the historical accuracy of many Bard’s tales has come into question. A rising star among the Bards by the name of My Cordollas (core-DOH-lus) is also central to the tale of the First Proving.

Lastly, there is Anelia Perithen, daughter of the very wealthy Ark Perithen of the expansive Perithen Farms of Jall duchy. While Anelia was raised in relative luxury as the daughter of the largest farm owner in the known Land, she has always taken it upon herself to work with her hands and learn about life side-by-side with the farm hands and harvesters. An accomplished quarter-staff wielder, she successfully led the defense of several of the Perithen farms against groups of raiders from the west, thereby earning the praise and loyalty of many in Jall duchy.

These seven women, along with the eight men in the last post, completes the cast of characters that are central to the First Proving. Of course, this list is only of prominent good-guy characters. Soon, I will post much simpler introductions of some of the bad-guys in the story.

Thanks for reading! And please feel free to post questions or comments if you have any!

~Kevin

 

The Characters

The Characters

Here’s a little basic info on the story. I assume that you have already read the “Back of the Book” blurb earlier in the blog, so I won’t post that again here.

Our main characters are 8 young men, all 20 Summers old (the term “years” is not used in Greystone to refer to age… instead, age is referred to by number of Summers one has lived). In Greystone, men and women typically begin their formal apprenticeships for their careers at age 18 (informal apprentice work can begin years earlier), then become true adults in the eyes of all at age 20. At the beginning of the story, the 8 guys are divided into three groups that eventually meet. Here is the line-up with simple descriptions of each character.

Argand Mason and Kosin Fletcher are traveling together to the capital of the Protectorates, Greystone City. Argand is the son of a stonemason and an excellent swordsman who rejected apprenticing under his father in favor of  joining the local patrol (police force) of his hometown of Eagle’s Reach. Kosin is the son of a master weapons maker in Jesserin City (not far from Eagle’s Reach), and is a skilled knife thrower and archer.

Max Chemael, Brien Page, and Varix Cooper basically grew up together in Greystone City. Max is the son of a wealthy politician and is the nephew of one of the five Dukes that govern the five Protectorates. Instead of following his father’s footsteps into court business, Max chooses to use his uncanny skill as a swordsman by joining the Grey Shields – the army of Greystone. Brien, whose father runs a messenger service for governmental affairs, and Varix, an orphan who meets the two others as a youth in school, also join the Grey Shields. Brien has no interest in his father’s business, and is an even better fighter than Max. Varix, an orphan who grew up in the poorer Southside District of Greystone City, apprenticed as a barrel maker, and was happy to leave that behind in favor of being a soldier.

Lastly, Loric Sarindon, Surk Brayburn, and West Currier are also old friends. Surk and West hail from the town of Southern March and have known each other since they were toddlers, while Loric grew up in another region entirely. But Loric spent his childhood summers in Southern March visiting his grandmother who lived near the two others. Loric has been raised to be a hunter by his father, a professional Huntmaster. Surk comes from a long line of blacksmiths, but while he loves the trade, he is looking for more. West is the son of a wealthy business man and is known for his intelligence, but he would rather be known for his skill as a warrior.

One of the oldest traditions in Greystone is called “Venture”, where brave young men or women aged 20 or older travel into the dangerous Black Mountains to test their courage and skill against the wild animals that live there. It’s a test with a reward; by tradition, anyone who survives the perils of the Black and returns with the head of one of the terrifying near-monsters that infest the heights is granted knighthood. Knights of Greystone are then assigned to serve under one of the five Dukes of the kingdom or, for the bravest and best, to serve under the King or Queen directly. The knights become, based on their skills and talents, the commanders of the Grey Shields, of the Pathwatch (a law enforcement organization for matters above what a local patrol can handle) and of the local armies within the duchies. They are celebrated and praised, and live lives of luxury as highly paid warlords.

But for every person who becomes a ducal or royal knight, there are dozen and dozens who die in the attempt. Such is the nature of going on Venture.

And naturally, that’s where our 8 heroes are headed. While they do not all intend to go on Venture when the story begins, they all end up traveling together to the Black Mountains. Many things happen before they reach there, as they each begin displaying strange powers and skills that frankly freak them out. At the same time, as a set of other very important characters (seven women, also all 20 Summers old) are slowly introduced. But more on the ladies in a future post.

More to come!

~Kevin

Questions of World Building

Be original. It sounds like an impossible task. Hasn’t everything already been done? Haven’t all of the good ideas already been taken? Do you REALLY want to be sued by some other author or film-maker if your book ever gets published and they think you stole their ideas? And even if you are not ever published and therefore being sued is not a risk, do you want to write yet another predictable, standard fantasy book with all the norms and structures most in the genre are used to?

I decided that my answers to all of the above are NO. And so the world building began.

Basic principles of the Lands of Greystone and the story:

1)      This is a Land, not a world. My old friends from High School will remember the idea. More specifically, this place has a completely different cosmology than anything we are used to in reality. The Land of Greystone is NOT a planet or a globe. If you are a bird and go east across the huge Erinor Ocean for a really long time, there is no guarantee that you will eventually get back to where you started. In fact, I can guarantee that bird that it will NOT ever get back to where it started simply by flying straight ahead. (As an aside, the idea of calling this place the Land of Greystone reminds me way to much of Donaldson’s “Land” in “The Chronicles of Thomas Covenant”… but the word ‘Land’ is so generic, and putting Greystone with it sort of sets it apart, so I decided to give in on this point. Sure hope that’s good enough to avoid any issues!).

2)      Greystone (the Land) and the Greystone Protectorates (the Country) are not places where magic is a known quantity. To the contrary, daily life is much like late-middle ages Europe in our world. In fact, people who believe in or claim that they can personally use “magic” or special powers are suspected of being insane and subject to forced medical treatment. There are no magic users per se, no spells or magic wands, no wizards, nothing of the sort. There ARE people with special powers/abilities as a natural part of the story (lots and lots of special powers and abilities… magic is central to the story), but such people are very special and very rare.

3)      There are not the prototypical multiple races of intelligent life in Greystone. No dwarves, no elves, no fairies, no pixies, no dryads, no gnomes, no Narnia-like talking animals. In general, there are just plain humans (while there are different groupings of humans, sometimes distinguished by physical stature or looks). BUT… there are rumors of dragons in Greystone’s distant past, and of monsters of various descriptions. Both (intelligent dragons and various nasty monsters) will make appearances prominently in the story.

4)      The story is intended to read like a mystery novel just as much as it is a fantasy novel. Clues are everywhere to what’s really going on and why, and very few things that are in the story are throw-away material. I have always loved plot twists and gotcha moments, so I am trying my best to make them happen here – both on a small scale from event to event, and across what I hope will be multiple books.

5)      In order to push for more originality, I created a new calendar system for Greystone, a new monetary system for all of the countries of the known Land, and somewhat-new governmental systems for the main country (the Greystone Protectorates) and the surrounding countries. Lots of new political and cultural items sprang out of these items, which I can therefore rest assured are either original or only redundant by chance.

6)      This is not going to be a children’s story. I mention C.S. Lewis from time to time, but really that is just because I love his sense of wonder and his use of Christian allegory. There are many parts of this story that will be brutally violent, lots of scary monsters and death… not stuck in cavalierly, but with descriptions that capture what it would really look like if the events were real. There will not be any sex to speak of on-camera, but there will be innuendo. There’s no bad language that we can recognize (I invented my own swear words, parroting Robert Jordan), so all in all I would give the books a PG-13 rating for violence and scary imagery.

7)      I am relying strongly on 2 main tools: maps, and a glossary. I have multiple maps that give the lay of the Land, so to speak, that will be in the front of the book a la every fantasy story ever written ever. And I am maintaining a growing glossary of terms and people for the back of the book for my reference… oh yeah, and or the reader’s reference as well.

More to come!

~Kevin

The Back of the Book

Here is my original attempt to write a back-of-the-book blurb to summarize “The First Proving”, dating from late January 2011.

******

The Greystone Protectorates were in a time of trouble. Unrest in neighboring countries, barbarian invaders from hostile MasMindon to the west, and political infighting within the Greystone duchies themselves threatened to unravel the very fabric of the kingdom. It seemed to many that the old stories which spoke of the end of Greystone, and of peace itself, were coming true.

Into this growing maelstrom came eight young men, drawn together from disparate corners of the kingdom, each displaying strange, potent talents and abilities that they could not comprehend.  Together they embarked on the traditional Greystone Venture, the dangerous journey into the Black Mountains through which brave souls proved their worth and earned knighthood. But their path would take them far beyond even their wildest imaginings as they find themselves at the center of a war between ancient magical forces, and are challenged by the Creator himself to come to the aid of the Land before all is lost.

Thus begins the epic Tome of Greystone, tracing the lives and times of generations of men and women, Lords, Kings, and fantastic creatures within the Land. All set against the backdrop of a millennia-old battle for the future of mankind that will be settled by the cataclysmic confrontation of supernatural powers… and by the choices made in the hearts of everyday people.

Mid-Life Crisis or Just A Cool Idea?

January 2011: It’s two months before my 40th birthday, and I decided to start writing. Not exactly out of the blue, and certainly not randomly, but it was definitely the first time that I sat down in front of the worn-down old family laptop and began to punch out a story that I really liked, and that I really thought was worth capturing.

I came up with the idea probably sometime around 1989, my senior year in high school. I had a most excellent set of best friends that loved role playing games… like the stuff that *used* to be called Dungeons and Dragons. We did not play the “official” games, though. We created an adapted version that dropped the books, the papers, and especially the dice in favor of pure imagination. I had been reading Tolkien and Eddings and Feist and Donaldson and Lewis since I was a kid, and had a particular love for The Chronicles of Narnia and The Lord of the Rings, and it struck me that the stories that my friends and I were creating might one day make an excellent book of their own.

EXCEPT for the fact that almost every single idea we used was stolen from one already-published fantasy book series or another. There really wasn’t a lot of originality in the characters and the storylines… but the action and the drama were fantastic! But no… if there was ever going to be a book about these characters, I would have to do some major re-engineering of subject matter.

And so I found myself outlining a story that did exactly that during the summer of 2010. And by fall, I had completed a thousand entry timeline of a plot that was incredibly complex – but totally reasonable (in my own completely jaded opinion). The re-engineering was done, and to my shock, I really liked the overall idea that sat there in my Microsoft Excel spreadsheet timeline. Lots of characters… probably too many. Lots of words. Probably WAY too many. I had the makings of a multiple book series all planned out, mabe even several multiple book series. And so I had to make a decision.

To write or not to write? Would it be worth spending a lot of my spare time (of which there is little) writing a novel when a) it will likely never be published, b) I have never written anything of any consequence and it might not even be GOOD fantasy writing when finished, c)  it might not even be as great a story overall as I feel like it is, and d) did I mention that I don’t even know if I am a good writer????

Two things swayed me toward my decision. First, was just how fitting it would be for my “mid-life” crisis activity at age 40 to be – writing a novel. Not a sports car. Not a motorcylce. Not skydiving. Writing. What a rebel. The second reason goes back to my love for all things Tolkien and Lewis. The plot I came up with was strongly grounded in some key Christian themes, and these themes added a deeper level of symbolism and meaning to the plot that really warmed my heart. There were Bible lessons buried in the sub-text; challenging, important lessons. I had no clue if I could deliver on the promises that the overall structure of the books was offering, but in the end I decided that I had to try.

June 2011: Six months, 19 chapters, 152 thousand words later, and I am about at the half-way point of “The First Proving”, the first book in the Tome of Greystone. My genius wife Jenny suggested that this might be a good time to begin blogging about the writing process, and so I have.

I am overwhelmed with questions at this point. Am I kidding myself writing something this long? I targeted the length, based on the action, characters, and twists in my timeline, to be about the same as a book by Brandon Sanderson (like The Way of Kings) or Robert Jordan (any of the Wheel of Time series). I had learned from Sanderson’s blog that these typically represented about 300 thousand words, typically yielding 900 to 1000 pages hardcover. And sure enough, I am on track to spit out a novel about  that size with The First Proving.  But then again… since I do not know if this will ever be published, what difference does it make if it’s too long? If some publisher takes interest and wants me to chop it down, then a-chopping I will go (within reason). For now, I will just write.

Another question: Am I crazy to try to write a book with so many characters? I basically have 8 core characters and 7 important supporting characters to track. That’s a lot. But I have seen it work within other omnibus-sized fantasy novels, so what the heck. Still, I think I might tone down the storylines of the supporting characters over time – For my own sanity.

Then of course there are all of the easy, common questions such as 1) is the writing any good, 2) what style to use for capturing action scenes and fights, 3) how to best monitor internal consistency across the countries and cities of the Land of Greystone, from politics to commerce to culture to industry to medicine to schooling to history to science, etc., 4) and, oh yeah, is the writing any good?

So there you have it. I can’t wait to see how all of this pans out over the next six months that I expect this first book will take (but just between you, me, and the fence post, I am targeting October. I think I can work faster now that I am over the initial work of setting up some of the characters and places).

More posts are to come, discussing progress overall and eventually discussing the book itself as early reviewers step forward to give it a read (hint, hint…).

Thanks,

~Kevin